As a director he knows enough to get good actors and step out of their way: Christian Bale does exactly what you’d want Christian Bale to do as a battle-hardened Connor Sam Worthington, meanwhile, struggles with his American accent as Marcus Wright, the man out of time, but otherwise makes a solid, if stolid, hero.
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McG has made much of how dark his movie is, and it does touch on issues of humanity and despair, but throughout the pre-release hype he’s undersold just how much fun his movie is. It’s not so much an actioner as we’ve come to understand the term: rather it’s an adventure movie, filled with abyss-defying escapes and daring heroics.
There are hunter-killer ships and ghoulish T-600s - hulking endoskeletons wearing creepy Hallowe’en masks over glowing red eyes. There’s an array of cyborgs in action, ranging from snake-like hydrobots to motorcycle Terminators that drive themselves to huge, seemingly steam-powered robots that grab humans by the handful and then pilot harvester ships away.
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McG’s movie doesn’t just serve up a monotonous series of humans vs. Much of it even makes sense! The film is propulsive, barely stopping for breath.There are exciting chases, suspenseful close calls, edge-of- your-seat battles and adrenaline-charged set-pieces. Gone is the LA of the late 20th/early 21st century, replaced with underground bunkers and robot factory cities.įor a summer blockbuster, Terminator Salvation is bursting with plot and incident. Gone is John Connor as a hapless dork reliant on a benevolent robot buddy, replaced by a glowering John Connor played by the best glowerer of his generation, Christian Bale. McG’s film boldly moves forward gone is the standard chase structure of the Terminator franchise, replaced here with men-on-a-mission adventure. While the film shoehorns in the usual catchphrases - “I’ll be back” and “Come with me if you want to live” are both dutifully trotted out - it eschews the standard sequel architecture of being nothing more than a remake of the previous film. Part of what makes Terminator Salvation work is that it’s unafraid to be its own entity. As a movie all on its own, not compared to the prior entries, it works very well. Let’s not be foolish - it doesn’t hold a candle to the first two James Cameron films, but it wipes the floor with Terminator 3. So perhaps the greatest surprise doesn’t come in the form of plot twists but from the fact that the movie is.
A man who lacks the common decency to have a complete name. It’s the post-prequel world, and audiences are ready to settle for less - especially when they realise Terminator Salvation comes from McG, the auteur behind the silly Charlie’s Angels films and the soppingly sentimental We Are Marshall. It’s the movie we’ve been waiting for, but it’s also a movie coming in this modern age where franchise follow-ups seem to yield only disappointment.
It’s the years after Judgment Day, when the cities of man have fallen and the machines scour the landscape, killing and harvesting humans. And while Terminator 3: Rise Of The Machines brought the series to the point we’d all been waiting for - Judgment Day was here! Nuclear fire rained down on humanity! Skynet was in control! - it took two hours of rehashing to get there. Ragtag groups of humans, scratching out dirty, hardscrabble, post-apocalyptic lives as they are engaged in a relentless war with deadly robot endoskeletons: this is the kind of thing that excites 13 year-old boys and the 13 year-old boy living inside every grown-up moviegoer. For 25 years fans have For 25 years fans have waited to see the future war between man and machine hinted at in The Terminator and Terminator 2: Judgment Day.